Resume

FOUNDED: January 24, 2001

SELECTED EXHIBITIONS:

2019:

  • Spring Break Triptych Posters (Street Poster Installation). Brooklyn, NY. (April)

2018:

  • #GGBBCampus: Anti-Rape Campus Poster Workshop. Women’s Center for Gender Justice at John Jay College, New York, NY. (September)

  • THE UN-HEROIC ACT: Representations of Rape in Contemporary Women’s Art in the U.S., Curator Monika Fabijanska, Shiva Gallery, John Jay College, New York, NY. (September)

2016:

  • #GGBBCampus: Anti-Rape Campus Poster Workshop. Columbia University. New York, NY.

  • #GGBBCampus: Anti-Rape Campus Poster Workshop. Oberlin College. Oberlin, OH.

  • Reading of “The Advantages of No Choice Whatsoever” Poster. Reproduction Freedom Festival. New York, NY.

2015:  

  • Carry That Weight with Emma Sulkowicz. Columbia University. New York, NY

  • Body Politics. Gibney Dance Gallery. New York, NY.

  • #ProvokeProtestPrevail, Bruce High Quality Foundation University Gallery. New York, NY

  • #GGBBCampus: Anti-Rape Campus Poster Workshop & Knit-in. Stonehill College. Easton, MA.

  • Heads Will Roll. Artspace. New Haven, CT.

2011:

  • Heads of State. NY Artists Book Fair by Printed Matter at MoMA PS1. Queens, NY.

  • GGBB joins GGOT and the GG Inc girls in a big retrospective exhibition at Rutgers University’s Mason Gross School of the Arts, organized by the Rutgers Institute for Women and Art. (June)

2010:

  • Counter-Recruiting Bootless Camp Fort Installation. Figment Festival. Governor’s Island, NY.

  • Server Supper’ Banner. NY Artists Book Fair by Printed Matter at MoMA PS1. Queens, NY.

2009:

  • Conversation Pieces featuring bus shelters and poster: The Advantages of No Choice Whatsoever. Co-curated by Artistic Director of CEPA, Sean Donaher and artist, Mariam Ghani. Buffalo, NY. 

2008:

  • Democracy in America, GGBB Investigate Democracy…At the Beach & Counter-Recruitment Action. Creative Time. Park Avenue Armory, NYC. (September 21-24)

  • Making it Together: Women's Collaborative Art & Community. Curated by Carey Lovelace. Bronx Museum, Bronx, NY. (May)

2007:

  • Why the World Must Change. UCLA Art & Activism Series. Art/Science and the Art/Global, Health Centers. Los Angeles, CA. (March)

2006:

  • Our Bodies, Our Battlegrounds: Rebelling for Ourselves (Performance). Women's History Month at New York University. New York, NY. (March)

2005:

  • Clothesline: Art, Clothing, Identity (Performance). Santa Fe Art Institute. Santa Fe, New Mexico. (July)

  • Post No Bills. White Columns. New York, NY. (June/July)

  • (Performance). Pitt Campus Women’s Organization at University of Pittsburgh. Pittsburgh, PA. (November)

2004:

  • The Advantages of Another Bush Presidency (Street Poster Installation). New York, NY. (November)

  • Public action critiquing the Whitney Biennial with the Liberal Party of the Yale Political Union, New York, NY. (April 2)

2003:

  • Bright Lights, Big City (summer show organized in conjunction with Charley magazine), David Zwirner Gallery, NYC, (June 26-August 8)

 2002:

  • GGBB performance at the University of Wisconsin, Madison, WI. (March 12)

  • Art & Outrage, Curated by Simon Watson, Sponsored by TRIO Networks, Robert Miller Gallery, New York, NY. (June 5-15)

  • Title of performance? GGBB performance at The Luann Dummer Center for Women, University of St. Thomas, St. Paul, MN (April 29)

  • Title of performance? GGBB live Internet performance at Rensselaer Polytechnic Institute, iear Electronic Arts Performance Series, Troy, NY. (April 11) 

LECTURES:

2019:

  • Art and Activism: Campaigns for gender equity from a member of the original Guerrilla Girls collective (Gerda Taro) and the National Gallery of Australia. Sydney Contemporary, Sydney Australia (September 13)

2015:  

  • Addressing Sexual Assault on Campus by Gerda Taro, Gene Stratton-Porte, Alma Karlin, Alla Horska. Stonehill College. North Easton, MA.

2013:

  • Map Abortion Launch. Interference Archive. Brooklyn, NY.

  • Performance by Gerda Taro, Pearl Primus and Minnette de Silva, National Abortion Freedom Ride Send-Off,  Union Square, NYC (July 23)

  • Gerda Taro and Pearl Primus attend National Women’s Studies Association Conference in Cincinatti Ohio, with Heather Ault from 4000 years of Choice (November)

2004:

  • Networks, Art & Collaboration Symposium, GGBBs in attendance: Alejandra Pizarnik and Minnette de Silva Organized by Trebor Scholz, Department of Media Study, SUNY at Buffalo (April 24 & 25)

2003:

  • Funky Fine Fall Line, curated by Judy Collischan, Fashion Week, Chelsea Art Museum, NY. (February 7 to 14)

 

GRANTS & AWARDS:

2011: Map Abortion. NYSCA Film/Media/New Tech Production Grant.

2010:

  • Cartographies of Choice/MapAbortion. Open Meadows Foundation.

  •        Courage Awards for the Arts. Awarded by Yoko Ono Lennon. March 28, 2010.

2003: BAXten Arts and Artists in Progress Award (November 6)

COLLECTIONS:

  • Downtown Collection, Fales Library and Special Collections, New York University

  • The Museum of Modern Art, New York

  • Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum

  • San Francisco Museum of Modern Art 

COLLABORATIONS:

2018: Spring Break Triptych Posters with illustrator Belle Hornblower and college students.

2014: Pussy Riot-inspired balaclava collaboration with Cat Mazza. New York, NY.

2012: Cartographies of Choice and Funding Research with Rye Young from Third Wave Foundation.

2001: Benefit for Guerrilla Girls on Tour and GuerrillaGirlsBroadBand, The Gotham Comedy Club, NYC, (December 17)

 

PROJECTS:

·      2015 to Present: GGBBCampus is launched. Inaugural visit to Stonehill.

·      2002: Creates ‘How to say ‘Feminist’ in Afghanistan’ Teeshirt with Farsi words for ‘Defender of the Rights of Women’ on the front.